Après avoir été exposé pendant près d'une année dans le parcours permanent du Musée cantonal des Beaux-Arts de Lausanne, le Concert laisse place à un autre trésor des collections de la Fondation Toms Pauli : une tapisserie bruxelloise du XVIIe siècle représentant Titus et Vespasien acclamés.
La Fondation Toms Pauli conserve cinq tapisseries de l’histoire de Titus et Vespasien dont deux, L’Assaut d’une ville et Le Triomphe de Titus et Vespasien, sont actuellement présentées dans l’exposition Tisser son Temps au mudac. Ainsi, l'accrochage de Titus et Vespasien acclamés témoigne de la collaboration entre les trois institutions de Plateforme 10 et de leur désir d'offrir aux visiteurs une programmation de qualité. N'hésitez pas à venir découvrir ou redécouvrir cette tapisserie d'exception !
On the occasion of their respective twenty-fifth anniversaries, Fondation Toms Pauli and mudac explore tapestry as a vector of storytelling and propaganda by presenting a selection of exceptional works, remarkable both for their expressive power and their monumental scale. Through a dialogue between baroque wall hangings from the Mary Toms Collection and contemporary tapestries by Goshka Macuga and Grayson Perry, Times in Tapestry presents the medium as a mirror of political and social intentions, and as a tool for critical commentary. By confronting ancient and contemporary works, Times in Tapestry highlights the timeless power of tapestry: through its rich visual language it has the capacity to convey complex messages and spark reflection on universal issues.
A publication, with contributions by eight authors who address tapestry as a narrative medium from different perspectives, accompanies the exhibition. It is presented in a boxed set together with 23 loose-leaf plates of the monumental works displayed at Times in Tapestry: Goshka Macuga x Grayson Perry x Mary Toms.
Times in Tapestry: Goshka Macuga x Grayson Perry x Mary Toms
Following presentations in London, Lausanne, Oslo, Warsaw, and more recently in Tilburg and ’s-Hertogenbosch, the Musée Bourdelle in Paris will host a major exhibition devoted to Magdalena Abakanowicz. Through the loan of eight significant works—reliefs and spatial forms—Fondation Toms Pauli contributes to the curatorial ambition of emphasising the sculptural dimension of the Polish artist’s oeuvre. The Paris exhibition is staged in the home-workshop of Antoine Bourdelle, sculptor and drawing teacher at the Gobelins manufactory, whose pupil Maria Łaszkiewicz enabled Abakanowicz to realise her first large-format tapestries for the Lausanne International Tapestry Biennials.
The exhibition will be accompanied by a publication in French.